However, works have also been made with felt-tip and ballpoint pens, although these works do not employ angled lines.
A dip pen (or nib pen) consists of a metal nib with capillary channels, like that of a fountain pen, mounted on a handle or holder, often made of wood. A dip pen usually has no ink reservoir and must be repeatedly recharged with ink while drawing or writing.
Dip pens are now mainly used heavily in calligraphy.
The ink brush is the traditional writing implement in East Asian calligraphy. The body of the brush can be made from either bamboo, or more scarce materials such as red sandalwood, glass, ivory, silver, and gold.
Calligraphy brushes are widely considered an extension of the calligrapher's arm. Today, calligraphy may also be done using a pen, but pen calligraphy does not enjoy the same prestige as traditional brush calligraphy.
Sacred Western calligraphy has some special features, such as the illumination of the first letter of each book or chapter in medieval times. A decorative "carpet page" may precede the literature, filled with ornate, geometrical depictions of bold-hued animals. The Lindisfarne Gospels (715-720 AD) are an early example.
As with Chinese or Arabian calligraphies, Western calligraphic script had strict rules and shapes. Quality writing had a rhythm and regularity to the letters, with a "geometrical" order of the lines on the page. Each character had, and often still has, a precise stroke order.
Unlike a typeface, irregularity in the characters' size, style and colors adds meaning to the Greek translation "beautiful letters". The content may be completely illegible, but no less meaningful to a viewer with some empathy for the work on view. Many of the themes and variations of today's contemporary Western calligraphy are found in the pages of The Saint John's Bible. A particularly modern example is The Holy Bible, Timothy Botts Illustrated edition (Tyndale House Publishers 2000), with 360 calligraphic images as well as a calligraphy typeface.
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